Miro, Exhibition Catalogues & Derriere Le Miroir Eds, 1950-85

Item no. 254976-13
Price$1,380
  • Details

    Details

    • Joan Miró (1893-1983) – Spanish artist, widely considered a Surrealist and pioneer of Automatism
    • Joan Miró. “Le Lézard aux Plumes d’Or,” Paris: Berggruen, 1971. Tall 8vo (220 x 115 mm); exhibition pamphlet in original lithograph wrappers by Miró
    • “Miró.” Exhibition catalogue. Saint-Paul: Fondation Maeght, 1968. Wide 8vo (226 x 195 mm); in original illustrated covers, many photo reproductions of Miró’s art, as well as three color lithographs, including one double page. Texts in French by Jacques Dupin, Paul Eluard, Tristan Tzara, René Char, Jacques Prévert, Raymond Queneau and more. Cramer, 121
    • “Maïtre-Graveurs Contemporains.” Paris: Berggruen et Cie, 1970. Tall 8vo (220 x 115 mm); exhibition pamphlet in original lithograph wrappers by Miró, printed by Mourlot.
    • “Sculpture in ceramic by Miró and Artigas,” New York: Pierre Matisse Gallery, 1956. Wide 8vo (203 x 177 mm); in original wrappers, illustrated throughout including double-fold out page, two-sided Miró lithograph
    • “Miró / Artigas Terres de Grand Feu.” New York: Pierre Matisse Gallery, 1985. 4to (234 x 202 mm); in original lithograph wrappers, illustrated throughout
    • “Miró: Œuvre Gravé et Lithographié.” Geneva: Galerie Gérald Cramer, 1969. Exhibition catalogue. Limited edition of 1650, of which this is no. 0144. Oblong (216 x 290 mm); in original color lithograph wrappers
    • “Miró… 1964-1971.” New York: Pierre Matisse Gallery, 1972. Exhibition catalogue. Folio (315 x 240 mm); in original lithograph color wrappers
    • Joan Miró, André Breton, and James Johnson Sweeney, “Constellations / the atmosphere miro.” New York: Pierre Matisse Gallery, n.d. Exhibition pamphlet. Folio (299 x 213 mm); in original illustrated wrappers
    • “Miró… May 1973.” New York: Pierre Matisse Gallery, 1973. Exhibition catalogue. Folio (311 x 250 mm); in original wrappers designed by Miró, lithographed by Studio Arte in Paris. Color and black-and-white illustrations throughout
    • Derriere Le Miroir. Nos. 29-30, Mai-Juin 1950. Paris: Maeght Editeur, 1950. Folio (380 x 280 mm), includes loose two page folded folio sheet lithograph by Miró (opened 380 x 559 mm); in original lithograph color wrappers
    • Derriere Le Miroir. No. 203, Avril 1973. Paris: Maeght Editeur, 1973. Folio (380 x 280 mm); includes loose two page folded folio sheet lithograph by Miró (opened 380 x 555 mm); in original lithograph color wrappers
    • Derriere Le Miroir. Nos. 14-15. Novembre-Décembre 1948. Paris: Pierre a Feu, 1948. Folio (380 x 280 mm); loose pages as issued with lithographic illustrations in color
    • “tàpies monotypes.” Derriere le Miroir. No. 210. Juin 1974. Paris: Maeght Éditeur, 1974. Folio (380 x 280 mm); complete with five two page folded folio sheet lithographs by Miró (opened 380 x 558 mm); in original lithograph wrapper
    • Derriere Le Miroir. No. 169 Décembre 1967. Paris: Maeght Editeur, 1967. Folio (380 x 280 mm); complete with lithograph illustrations by Miró; in original lithograph wrappers
    • Derriere Le Miroir. No. 195 Décembre 1971. Paris: Maeght Editeur, 1971. Folio (380 x 280 mm); complete with lithograph illustration by Miró and others, in original lithograph wrappers
    • All very good condition
    • This object is sold through our New York office
  • Additional Information & Condition

    Additional Information & Condition

    This is a wonderful assortment of exhibition catalogues, pamphlets, and journals featuring lithographs by Miró. The illustrations are all bright and clean. Very good condition overall with occasional minor chips and soiling to covers.

    Joan Miró (Spanish, 1893-1983)

    Widely considered one of the leading Surrealists, though never officially part of the group, Joan Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. A proponent of experimentation, Miró’s wide body of work included ceramics, various prints, drawing, and sculpture.

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